Maenads
Hχητική εγκατάσταση
2023
How does revisiting the Epirotic lament from an algorithmic perspective reveal voice as a plural force?
The site-specific sound installation The Passing creates an artificial chorus of many voices, from human and non-human laments, performing an algorithmically generated and continuously changing piece. Drawing on Epirotic laments from the area of Pogoni and utilizing machine-learning technologies, the southern gate of the Ioannina Castle becomes a space where past and future, sorrows and joys become vocalized. It empowers voices that are commonly excluded both from the archive of political economy and from the voice datasets.
https://www.onassis.org/art/works/passing
As seen on
Plásmata II: Ioannina