Through his work, artist Harris Kondosphyris (b.1965) is experimenting with the concepts of space and the processes of visual perception. His work, designed in-situ as structures that redefine the surrounding space, creates multiple-image perspectives that activate the viewer’s participation. “Open Kitchen” (2004) is indicative of his artistic practice and he uses a material essential for his work, the mirror. The aim of the artist is to make the mirror as a passage, through which the viewer can enter a new world; in this case in the kitchen, where its existence acquires visual status. Thus, the piece goes beyond the limits of a simple inscription in real space and acquires deeper significance. It indicates the need of the artist for self-determination and reveals feelings of fragmentation and concern for the modern world.